{"id":9,"date":"2025-10-06T16:19:24","date_gmt":"2025-10-06T16:19:24","guid":{"rendered":"https:\/\/extra-ordinari.com\/?page_id=9"},"modified":"2025-11-10T17:38:23","modified_gmt":"2025-11-10T17:38:23","slug":"sources","status":"publish","type":"page","link":"https:\/\/extra-ordinari.com\/en\/sources\/","title":{"rendered":"Sources"},"content":{"rendered":"
Morning class learning free hand brush strokes. 1942. Dorothea Lange [SOURCE]<\/a><\/div>\n
\n

Berardi, F.<\/b> (2003). La f\u00e1brica de la infelicidad. Nuevas formas de trabajo y movimiento global. Madrid: Traficantes de sue\u00f1os.<\/p>\n

Berardi, F.<\/b> (2007). El sabio, el mercader y el guerrero. “Del rechazo del trabajo al surgimiento del cognitariado”. Madrid: A. Machado Libros.<\/p>\n

Berardini, A.<\/b> (2018). Non-Regular Interview with Terra Poirier. Femme Art Review.<\/p>\n

Busso S. & Rivetti P.<\/b> (2014). What\u2019s Love Got to Do with it? Precarious Academic Labour Forces and the Role of Passion in Italian Universities, Recherches sociologiques et anthropologiques, 45-2, 15-37.<\/p>\n

Castillo, J. J. & Mor\u00e9, P.<\/b> Universidad precaria, universidad sin futuro [en liquidaci\u00f3n]. Madrid: Fuhem, 2018.<\/p>\n

Holmes, B.<\/b> (2002). La personalidad flexible. Por una nueva cr\u00edtica cultural. Transversal. Read online<\/a><\/p>\n

Jacques, J.<\/b> (2 August 2024). How Artists Tackle Labour Rights and Precarious Employment. Frieze 245.<\/p>\n

Jornet Somoza, A.<\/b> (2016). Culturas desde la precariedad y la Resistencia. 452\u00baF. Revista De Teor\u00eda De La Literatura Y Literatura Comparada, (15), 248\u2013258. Read online<\/a><\/p>\n

Mesa, S.<\/b> Oposici\u00f3n. Barcelona: Anagrama, 2025.<\/p>\n

Poirier. T.<\/b> (2018). Non-Regular: Precarious academic labour at Emily Carr University Art + Design. Vancouver: UNIT\/PITT Projects<\/p>\n

Precarious Labour in the Field of Art (2013). ONCURATING 16. Read online<\/a><\/p>\n

Serafini, P. & Banks M.<\/b> (2020). Living Precarious Lives? Time and Temporality in Visual Arts Careers. Culture Unbound, Volume 12, issue X, 2020: XX\u2013XX. Link\u00f6ping University Electronic Press<\/a> <\/p>\n

Szreder K.<\/b> (2021). The ABC of the Projectariat: Living and Working in a Precarious Art World. Manchester: Manchester University Press.<\/p>\n

Taylor, S., & Luckman, S.<\/b> (2024). Mentoring as affective practice. International Journal of Cultural Policy, 31(2), 253\u2013266. Read online<\/a><\/p>\n

Zafra, R.<\/b> (2017). El entusiasmo. Precariedad y trabajo creativo en la era digital. Barcelona: Anagrama.<\/p>\n

Zafra, R.<\/b> (2024). El informe. Barcelona: Anagrama.<\/p>\n<\/div>\n

\"\"<\/p>\n

Morning class learning free hand brush strokes. 1942. Dorothea Lange [SOURCE]<\/a><\/div>\n
\n

Berardi, F.<\/b> (2003). La f\u00e1brica de la infelicidad. Nuevas formas de trabajo y movimiento global. Madrid: Traficantes de sue\u00f1os.<\/p>\n

Berardi, F.<\/b> (2007). El sabio, el mercader y el guerrero. “Del rechazo del trabajo al surgimiento del cognitariado”. Madrid: A. Machado Libros.<\/p>\n

Berardini, A.<\/b> (2018). Non-Regular Interview with Terra Poirier. Femme Art Review.<\/p>\n

Busso S. & Rivetti P.<\/b> (2014). What\u2019s Love Got to Do with it? Precarious Academic Labour Forces and the Role of Passion in Italian Universities, Recherches sociologiques et anthropologiques, 45-2, 15-37.<\/p>\n

Castillo, J. J. & Mor\u00e9, P.<\/b> Universidad precaria, universidad sin futuro [en liquidaci\u00f3n]. Madrid: Fuhem, 2018.<\/p>\n

Holmes, B.<\/b> (2002). La personalidad flexible. Por una nueva cr\u00edtica cultural. Transversal. Read online<\/a><\/p>\n

Jacques, J.<\/b> (2 August 2024). How Artists Tackle Labour Rights and Precarious Employment. Frieze 245.<\/p>\n

Jornet Somoza, A.<\/b> (2016). Culturas desde la precariedad y la Resistencia. 452\u00baF. Revista De Teor\u00eda De La Literatura Y Literatura Comparada, (15), 248\u2013258. Read online<\/a><\/p>\n

Mesa, S.<\/b> Oposici\u00f3n. Barcelona: Anagrama, 2025.<\/p>\n

Poirier. T.<\/b> (2018). Non-Regular: Precarious academic labour at Emily Carr University Art + Design. Vancouver: UNIT\/PITT Projects<\/p>\n

Precarious Labour in the Field of Art (2013). ONCURATING 16. Read online<\/a><\/p>\n

Serafini, P. & Banks M.<\/b> (2020). Living Precarious Lives? Time and Temporality in Visual Arts Careers. Culture Unbound, Volume 12, issue X, 2020: XX\u2013XX. Link\u00f6ping University Electronic Press<\/a> <\/p>\n

Szreder K.<\/b> (2021). The ABC of the Projectariat: Living and Working in a Precarious Art World. Manchester: Manchester University Press.<\/p>\n

Taylor, S., & Luckman, S.<\/b> (2024). Mentoring as affective practice. International Journal of Cultural Policy, 31(2), 253\u2013266. Read online<\/a><\/p>\n

Zafra, R.<\/b> (2017). El entusiasmo. Precariedad y trabajo creativo en la era digital. Barcelona: Anagrama.<\/p>\n

Zafra, R.<\/b> (2024). El informe. Barcelona: Anagrama.<\/p>\n<\/div>\n


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Morning class learning free hand brush strokes. 1942. Dorothea Lange [SOURCE] Berardi, F. (2003). La f\u00e1brica de la infelicidad. Nuevas formas de trabajo y movimiento global. Madrid: Traficantes de sue\u00f1os. Berardi, F. (2007). El sabio, el mercader y el guerrero. “Del rechazo del trabajo al surgimiento del cognitariado”. Madrid: A. Machado Libros. Berardini, A. (2018). […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":36,"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":458,"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/pages\/9\/revisions\/458"}],"wp:attachment":[{"href":"https:\/\/extra-ordinari.com\/en\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}